However, this slight schizophrenia doesn't detract much from Win a Date With Tad Hamilton's easygoing feel. His integrity and work ethic are unquestionable. The overall feel of the collection is down-to-earth, with a strong emphasis on singer/songwriter tracks like Kyle Riabko's "Waiting," Jason Wade's "Days Go By," and John Mayer's "Back to You." Indeed, the soundtrack often sounds like it was aimed at an older audience than the film was (or, at least, it's giving teenagers more credit than most soundtracks do) by including so many quiet, largely acoustic songs such as Alice Peacock's "Leading With My Heart," and Bonnie McKee's "Somebody." The songs that actually do sound like they belong on a typical teen movie soundtrack, like Wilshire's "Something Special," Soul Kid #1's "More Bounce in California," and Bleu's "I Won't Go to Hollywood" almost seem out of place compared to the more restrained feel of the other tracks. I have worked with Tad Hamilton for over 12 years and he exemplifies every quality you would want in a business professional. (We never see that retainer again: Once they’ve hauled it out, the filmmakers don’t even have the wit to make it a running gag.The soundtrack to the happy-go-lucky teen romantic comedy Win a Date With Tad Hamilton has an appealingly lighthearted mix of dance, rock, and pop that includes Wheat's "Some Days," the Thorns' cover of the Jayhawks' alt-country classic "Blue," and Liz Phair's "Why Can't I?" (surely one of the most-featured songs on romantic comedy soundtracks in 20). ![]() And it’s a ludicrous moment when she removes her retainer in the fancy Hollywood restaurant, as if she’d be so thoughtless as to leave it in for the biggest date of her life. She has to utter pet expressions like “Shake-a-doo!” (for “Wow!”). I’d have liked her more, though, if the movie didn’t push her lack of feminine wiles so hard. She has a couple of endearing, Pretty Woman-ish bits: When Hamilton beckons her to dinner, she gives a dazed little whinny of assent, and her fair skin flushes pink when she’s embarrassed or enraptured. The film is intended, though, as a vehicle for Kate Bosworth, the blonde whose head was often digitally affixed to someone else’s body in last summer’s surfer-chick flick Blue Crush. He even makes it semiplausible that this pampered Hollywood aristocrat could fall in love with the idea of moving to West Virginia and straightening out his life. ![]() He’s easy with his own impossible handsomeness, and he doesn’t milk the character’s self-centeredness for easy yuks. Win a Date with Tad Hamilton is a 2004 American romantic comedy film directed by Robert Luketic, written by Victor Levin, and starring Kate Bosworth, Topher Grace, Josh Duhamel, Gary Cole, Ginnifer Goodwin, Sean Hayes, and Nathan Lane. Duhamel gives the closest thing to a real performance here. That’s one of the movie’s few oddities: that Topher Grace’s Pete-the one we’re supposed to be rooting for-is a graceless jerk while Duhamel’s shallow movie star is rather sweet. Pete, who adores her but in 22 years of friendship has never been able to declare his love, exclaims, “Guard your carnal treasure!” He says that several times, actually, which gives you some idea of what a charmer he is. (Imagine a “Win a Date With Rob Lowe” contest on the heels of the actor’s infamous sex video.) Anyway, the wide-eyed Rosalee-a checkout clerk at a Piggly Wiggly-wins the contest and shortly thereafter jets from West Virginia to Los Angeles. ![]() It’s a measure of the movie’s dopiness that no one raises the obvious objection: that the last thing you want to do when an actor has been nailed for misbehavior is publicly feed him a virgin. The gimmick of Win a Date With Tad Hamilton!, directed by Robert Luketic from a script by Victor Levin, is that the movie star’s bacchanalian lifestyle is on the verge of derailing his career, so his agent (Nathan Lane) and manager (Sean Hayes)-both named Richard Levy, a joke that will certainly give a chuckle to Spike Lee, Franco Zefferelli, Mel Gibson, and a few others-devise a contest to hook him up for an evening with an all-American girl.
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